No sabemos si os pasa lo mismo que a nosotros, pero cuando buscamos unas chanclas para la playa o la piscina, la mayoría de las que encontramos son de las que tienen una tira fina, que se une entre los dedos gordo e índice del pie (si allí también se llama así). ¡Pero son mucho mejores las que tienen una banda de goma ancha, como estas!
Si además tienen un precioso dibujo de jarras de cerveza y espumosa bebida en su exterior de PVC, y su gama cromática comparte tono con nuestro pantone favorito (el que definen los sistemas SRM o Lovibond), pues todavía mejor.
Y es que hay que reconocer que son bonitas y originales, sin llevar sin más un estampado repetitivo como hay otras tantas (ojo, que en algún momento dado también reseñaremos esas, ¿eh?), el diseño es original y bien planteado. Lástima que el precio sea un poco alto.
Ahora la pregunta: ¿Vosotros os las compraríais? ¿Sois más de chanclas de dedo o como estas? Lo que estamos seguros es de que, como nosotros, ninguna ocasión de playa o piscina la dejáis terminar sin pasar por el chiringuito (o llevar de casa) una cerveza fresquita.
La terraza de Bodegas Montecillo es la tercera más antigua de la DOCa Rioja
El enoturismo está cada vez más de moda en nuestro país, tanto entre visitantes españoles como extranjeros, y ahora que van disminuyendo las restricciones, todos buscamos un plan en el que disfrutar de la naturaleza y el aire libre. Por eso, y para disfrutar al máximo de un plan sin prisas, Bodegas Montecillo cuenta con un recóndito jardín al aire libre y con una terraza en la que, además, este año habrá diferentes actividades para todos los amantes del vino locales y los que se decantan por este tipo de turismo.
Se trata de un espacio creado para deleitarse con el paisaje y el buen tiempo. Un oasis en el que durante los meses de julio y agosto se podrán reservar mesas para degustar la amplia variedad de vinos de la bodega acompañados de un aperitivo.
Además, la terraza de Bodegas Montecillo celebrará dos eventos durante el verano en los que saborear un buen vino y la mejor gastronomía disfrutando de la mejor música. Así, los días 16 de julio en horario de 19:00 a 22:00 y 29 de agosto de 12:00 a 15:00, la terraza tendrá diferentes conciertos del grupo Cielo Arissa Duo, que amenizará las veladas con ritmos pop, folk y latinos. Un plan diferente con amigos, familia o en pareja; tanto para los que estén pensando en visitar La Rioja como para los que vivan cerca de la zona.
La entrada puede adquirirse en la propia bodega el día del evento, o reservando con anterioridad escribiendo a visitas.montecillo@osborne.es o llamando al 670922466. Tiene un coste de 25€ que incluye 3 tapas y 3 vinos. Y todo esto bajo un cielo estrellado, ya que Bodegas Montecillo se encuentra entre los pueblos de Fuenmayor y Navarrete, en la Rioja Alta, una de las zonas con mayor tradición vitícola que hace su terraza aún más especial.
“La Rioja Alta es un enclave único, gracias a su clima continental, y la terraza de nuestra bodega se enmarca en un espectacular jardín, lo que favorece una temperatura agradable en las tardes y noches de verano, perfecta para disfrutar de un buen Montecillo al aire libre, en un ambiente agradable y mirando a un cielo plagado de estrellas. No se me ocurre mejor plan para dejarse llevar este verano en Rioja”, señala Elisa San Román, Responsable de Enoturismo de Bodegas Montecillo.
Además de la terraza, las bodegas están abiertas al público para todo el que desee conocer sus instalaciones, siempre aplicando todas las medidas necesarias para poder garantizar la salud de todos y adaptando los protocolos de higiene y seguridad conforme la nueva normativa.
HORARIO TERRAZA: Martes, miércoles y domingo de 13:00 a 15.00. Jueves, viernes y sábado de 13:00 a 15.00 y de 19:00 a 22:00.
AFOROS: Mesas julio y agosto: aforo permitido de 40 personas. Eventos 16 de julio y 29 de agosto: aforo permitido de 75 personas.
CONTACTO BODEGA: Mail: info@bodegasmontecillo.com Teléfono: 941 44 01 25 bodegasmontecillo.com Ctra. Fuenmayor Km. 3, 26370 Navarrete – La Rioja
La venta de entradas para los conciertos y las catas van a muy buen ritmo
Las entradas para La Locomotora Negra ya se han agotado
A pocos días para que se inicie la edición 2021 del Vijazz Vilafranca, el ritmo de venta de entradas no se detiene. A día de hoy, ya no quedan entradas para el concierto inaugural de La Locomotora Negra -que este año se despide de los escenarios-. Además, el resto de los conciertos también tienen un gran porcentaje de entradas vendidas, aunque todavía quedan 10 días para llegar a la cita. En un año especial, donde no podrá haber feria de vinos por las restricciones de la pandemia, el Vijazz Vilafranca se ha planificado también a partir de un gran número de colaboraciones, con patrocinadores, bodegas, restaurantes, denominaciones de origen o entidades de Vilafranca.
Los patrocinios, una de las claves del Vijazz Vilafranca Desde sus inicios, el Vijazz Vilafranca ha sido una herramienta muy importante para las empresas y entidades que lo apoyan. Desde el año 2020, y gracias al acuerdo de colaboración con el Ayuntamiento de Vilafranca del Penedès, el Vijazz ha pasado a llamarse Vijazz Vilafranca, con el objetivo de potenciar y resaltar la capitalidad de donde se celebra el evento. También Banc Sabadell continúa como patrocinador principal del acto, apostando fuerte por el Penedès y por la cultura del vino y la música. Por su parte, Vilamòbil, concesionario oficial Audi Volkswagen en Vilafranca del Penedès será coche oficial del Vijazz Vilafranca.
Las denominaciones de origen se suman al Vijazz Vilafranca Como en las últimas ediciones de Vijazz, la DO Penedès y la DO Cava tendrán una presencia destacada en el evento. En el caso de la DO Penedès, el sábado 3 de julio a las 19.30h tendrá lugar una cata dedicado a vinos Xarel·lo 100%. Una actividad que permitirá a los asistentes descubrir las características de los vinos elaborados con esta icónica variedad del Penedès, maridados con quesos e ibéricos. Además, durante el fin de semana, las catas acogerán vinos y Clàssic Penedès ganadores del 55º Concurso Tastavins DO Penedès, y los vinos que acompañarán a los conciertos en el Espacio Jaume I serán mayoritariamente de la DO Penedès.
Por su parte, la DO Cava volverá a ser protagonista del ciclo Ellas y el Jazz que tendrá lugar en el Claustre de Sant Francesc. Durante los 3 días de conciertos que se desarrollarán, los asistentes disfrutarán de una copa de cava. Por otra parte, las catas en el Casal – Societat la Principal inaugurarán con un maridaje especial que la ofrecerá la DO Cava. Una oportunidad para degustar cavas de alto nivel con propuestas gastronómicas de alta gama.
Catas y maridajes cuidando cada detalle Todas las actividades de catas y maridajes que tendrán lugar en el Vijazz Vilafranca se desarrollarán en la platea del teatro del Casal – Societat La Principal. La relación entre el Vijazz y el Casal es estrecha ya que la entidad colabora desde hace años con el evento acogiendo sus actividades. Por otra parte, todas las catas y maridajes acompañarán con elementos gastronómicos de Ametller Origen -desde quesos, ibéricos, frutas o chocolates-. La sala de cata -patrocinada por Ametller Origen- acogerá también una muestra especial con vinos y cavas Familia Ametller.
Otras bodegas que también tendrán una presencia destacada en el Vijazz Vilafranca 2021 serán Jean Leon, que ofrecerá una cata domingo a las 19.30h conducido por la directora de la bodega y su enóloga, Mireia Torres y Roser Catasús- y Familia Torres que será el encargado de maridar la Enojazz del miércoles 30 de junio en el Espacio Jaume I. en la edición de este año, el encargado de poner el elemento jazzístico será la Escuela Municipal de Música Dolors Calvet de Vilafranca del Penedès, una de las colaboraciones que también se suman a la edición 2021 del Vijazz Vilafranca. Por su parte, la prestigiosa marca de copas Riedel, a través de su distribuidor Euroselecció, volverá a estar presente en el Vijazz ya que todas las copas serán del nuevo modelo Marie-Jeanne, mayor que las anteriores que se servían en este evento.
Colaboradores partes de Vilafranca y del Penedès Además, y para que los asistentes al evento tengan una amplia oferta vinícola y gastronómica, durante el fin de semana de Vijazz Vilafranca numerosas bodegas de Vilafranca y alrededores realizan actividades enoturísticas especiales a través de Penedès Turisme. En cuanto a los restaurantes de la ciudad, se han unido a la campaña promovida por la Academia Tastavins Penedès y el Ayuntamiento de Vilafranca para servir vinos a copas de los ganadores del 55º Concurso Tastavins DO Penedès. Una acción que se iniciará el 30 de junio pero que se alargará hasta el 11 de julio.
Las entidades públicas, junto al Vijazz Vilafranca Aparte del Ayuntamiento de Vilafranca del Penedès, otras entidades como la Generalitat de Cataluña o el Consejo Comarcal del Alt Penedès también apoyan desde los 2007 a uno de los principales acontecimientos vínicos y musicales de Cataluña.
Many of us have reason to celebrate, or will soon, as the pandemic gradually recedes from immediate concern and we all gain something of our old lives back. It’s also summertime in the northern hemisphere, and for many, that means hanging outside with friends drinking summery things, ideally chilled and cheerful.
Enter pink Prosecco, the newest, hottest wine category on the planet.
It’s not every day that a whole new kind of wine bursts onto the scene. Wine trends don’t burst at all, for the most part. They start as a trickle, driven by tastemakers and word of mouth, and if they’re extremely lucky they build over time to a torrent of interest.
But occasionally, a wine region will change its rules to allow its winemakers to do something new, and ecco! a whole new type of wine will emerge. Hello pink Prosecco.
From Past to Pink
Prosecco has been around for a long time, because it used to be the name of a grape. Believed to originate in Slovenia, it has been grown in northeastern Italy for several centuries (references to it date back to 1382).
In the modern era, however, Prosecco came to be known as specifically a white sparkling wine made from a grape of the same name. In 2009, as part of an effort to maintain protection of Prosecco as the name of a designated wine region (much as Champagne defends its name from use elsewhere) the folks in Prosecco decided to rename the grape Glera.
So now, Prosecco (technically Prosecco DOC – Denominazione di Origine Controllata) is a wine region and the style of sparkling wine made from Glera that comes from the 9 different provinces spanning Italy’s Veneto and Friuli-Venezia Giulia regions. There is also a Prosecco DOCG region surrounding the historic town of Conegliano that has stricter rules for production.
For its entire history, Prosecco has always been a white wine, but given the rise in popularity of pink bubbles, the savvy folks behind Prosecco decided they ought to make a pink version, and after much discussion and debate, they announced their change in regulations in May of 2020.
Where the Pink Comes From
Prosecco is normally made exclusively with its white grape, Glera. The new regulations for producing a Prosecco Rosé require 85% of the wine to be Glera, and the rest (in practice usually either 10% or 15%) to be red Pinot Noir, leading to a nice pale pink wine that is then fermented a second time in pressure-sealed tanks to make it sparkling. This is known as the Charmat method, which is popular for being less expensive and time-consuming than having the secondary fermentation take place in the bottle, a la Méthode Champenoise.
With a strawberries-and-cream character accented with bits of citrus or stone fruit, it’s hard not to smile when drinking a glass of well-made pink Prosecco.
As with normal Prosecco, the wines get made at varying levels of sweetness. The vast majority (perhaps as high as 99%) of Prosecco Rosé will be Brut or Extra Dry, which will contain 6-12 grams or 12-17 grams per liter of residual sugar respectively. I have yet to see a Brut Nature or Extra Brut version, which would only contain up to 3 grams or 6 grams of sugar per liter of residual sugar, respectively, but the regulations do allow for them.
It turns out roughly more than half of the wineries in the larger Prosecco DOC region were already making pink sparkling wines, but selling them under more generic regional labeling laws as vino rosato frizzante or rosato spumante. So in some ways, the allowance for a pink version of Prosecco trailed the market demand for a long time.
Not everyone is pleased with the advent of the category, however, including those behind the stricter Conegliano Valdobbiadene Prosecco DOCG, who rightly point out that Pinot Noir is not a traditional grape for the region.
A New Flavor Profile
Prosecco has become immensely popular in the last 10 to 15 years thanks to its reasonable price point and its cheery flavors of white flowers, pears, melons, and apples that lean slightly sweeter than other popular sparkling wines.
Just to put a finer point on what “immensely popular” actually means, Prosecco sales in the United States have gone from a few hundred thousand cases per year to several million, with sales growth averaging between 10 and 15% per year annually. In 2018 Prosecco sold more bottles of wine than Champagne did for the first time in its modern history.
I have observed that in the same way that everyday wine drinkers in my generation often casually refer to all sparkling wine as Champagne, most of the people I know in their twenties use “Prosecco” instead as their catch-all sparkling wine term.
Certainly Prosecco has taken the brunch world by storm, offering a fruity sparkling profile that can turn any meal into a celebration, and any glass of orange juice into a mimosa. The rosé version is likely to go over just as well (or even better). With a strawberries-and-cream character accented with bits of citrus or stone fruit, it’s hard not to smile when drinking a glass of well-made pink Prosecco.
Are these wines profound? Far from it. They can’t hold a candle to the complexity of a good rosé Champagne. But they are playful and pleasant, and that is what a lot of people are looking for in a $20 bottle of sparkling wine.
I recently arranged for a bunch of pink Prosecco to be sent my way so I could see what the fuss is about. Most come in crystal-clear bottles (some quite fancy) the better to showcase the jewel-like pale pink of their contents. I expect that many a patio bar will line them up like top-shelf liquor bottles to be ogled by well-dressed patrons.
Unfortunately, as pretty as they are, these clear bottles mean the wines will be exceptionally susceptible to being light-struck, as are most rosés these days, so retailers and consumers alike will need to make sure to keep them stored out of the sun.
Of course, no one usually hangs on to a bottle of Prosecco for long. The time from purchase to “Pop!” probably averages less than 6 hours. If you’re interested in a bottle, or twelve, here are my notes on the wines that were sent to me, in descending order by score.
Note that many of these products are new to the US market, and don’t have full retail distribution as of yet. I have provided links for online purchase where available.
Tasting Notes
2020 Tenuta Sant’Anna Brut Prosecco Rosé, Veneto, Italy Pale baby pink in color with medium bubbles, this wine smells of strawberries and cream and a touch of citrus peel. In the mouth, silky, voluminous mousse delivers flavors of strawberry, citrus peel, and white flowers across the palate. Very clean, very pretty, with enough of a savory note in there to keep it interesting. 11% alcohol. Bucking the trend with a very dark brown glass bottle (most others are clear). Score: around 9. Cost: $16. click to buy.
2019 Tosti Brut Prosecco Rosé, Veneto, Italy Pale peach in the glass with medium fine bubbles, this wine smells of strawberries and cream with hints of white flowers. In the mouth, a moderately coarse mousse delivers very tasty flavors of citrus peel, citrus pith, and just the barest hint of berries mixed with white flowers and cream. Wonderfully dry and elegant. 11% alcohol. Score: around 9. Cost: $15.
2019 Antonio Facchin Brut Prosecco Rosé, Veneto, Italy A pale peach color in the glass with medium-fine bubbles, this wine smells of wet pavement, citrus peel, and white flowers. In the mouth, a gorgeous, silky mousse delivers delicate and refined flavors of citrus peel, hibiscus, and green strawberries with a nice floral note wafting above it all. Excellent acidity. Quite refined. 11.5% alcohol. Bucking the trend with a dark green bottle (most others are clear). Score: around 9. Cost: $15.
2019 Albino Armani Extra Dry Prosecco Rosé, Veneto, Italy A pale peach color in the glass with medium to fine bubbles, this wine smells of berries and white flowers. In the mouth, a velvety, voluminous mousse delivers wonderfully delicate flavors of strawberries, citrus peel, and white flowers. Only the faintest hint of sweetness. Quite pretty. 11% alcohol. Score: around 9. Cost: $20.
2020 Astoria Vini Extra Dry Prosecco Rosé, Veneto, Italy A pale orangey-pink in color with moderately fine bubbles, this wine smells of sweet berries, citrus peel, and white flowers. In the mouth, faintly sweet flavors of berries and cream, citrus peel, and white flowers are borne on a velvety mousse. Decent acidity and a nice long finish. 11% alcohol. Score: between 8.5 and 9. Cost: $??.
2020 Brilla! Extra Dry Prosecco Rosé, Veneto, Italy Pale baby pink in the glass with rather fine bubbles, this wine smells of strawberry candy and white flowers. In the mouth, the wine doesn’t come across as quite as sweet as it smells, with a velvety mousse that delivers strawberries and cream, citrus peel, and white floral flavors amidst decent acidity and a nice clean finish. A party-pleaser for sure, especially with its paisley-embossed bottle with a pink glitter label. 11% alcohol. Score: between 8.5 and 9. Cost: $13. click to buy.
2020 Villa Sandi “Il Fresco” Brut Prosecco Rosé, Veneto, Italy Pale baby pink in the glass with medium bubbles, this wine smells of wet chalkboard, white flowers, and a hint of berries. In the mouth, a lovely silky mousse delivers flavors of peach and strawberry across the palate, with hints of florals and pastry cream in the finish. I would love this to be a bit sharper, with a hint more acidity, but it is quite tasty. 11% alcohol. Score: between 8.5 and 9. Cost: $17. click to buy.
2019 Val d’Oca Extra Dry Prosecco Rosé, Veneto, Italy Pale peachy pink in color with medium bubbles, this wine smells of candied citrus and white flowers. In the mouth, a relatively robust and silky mousse delivers faintly sweet flavors of orange peel and unripe berries. The sour hit at the end makes for a little more complexity. Excellent acidity and lift. 11% alcohol. Score: between 8.5 and 9. Cost: $12. click to buy.
2019 Pizzolato Brut Prosecco Rosé, Veneto, Italy A pale peachy color in the glass with medium fine bubbles, this wine smells of apricots, strawberries, and white flowers. In the mouth, a fairly voluminous mousse delivers silky flavors of stone fruit, strawberries, and white flowers. Good acidity and nice length. Made from organically grown grapes. 11% alcohol. Score: between 8.5 and 9. Cost: $17. click to buy.
2019 Voga Extra Dry Prosecco Rosé, Veneto, Italy Pale peachy pink in the glass with medium-fine bubbles, this wine smells of strawberry and watermelon candy. In the mouth, faintly sweet watermelon and strawberry flavors are somewhat candied with hints of white flowers and a touch of candied citrus peel lingering in the finish. A fluffy mousse and decent acidity. 11% alcohol. Comes in an embossed fishnet-patterned bottle. Score: around 8.5. Cost: $16. click to buy.
2019 Famiglia Cielo Extra Dry Prosecco Rosé, Veneto, Italy Pale baby pink in color with medium-sized bubbles, this wine smells of cherries and whipped cream. In the mouth, faintly sweet candied cherries and white flowers have a nice bright acidity to them and a somewhat soft mousse. Citrus notes linger in the finish. 11% alcohol. Score: around 8.5. Cost: $14. click to buy.
2020 La Marca Extra Dry Prosecco Rosé, Veneto, Italy Light coppery pink in the glass with medium-fine bubbles, this wine smells of candied orange peel and white flowers. In the mouth, faintly sweet flavors of citrus peel and white flowers are lifted on a soft mousse. Hints of gardenia linger in the finish. Would love a little bit more acidity here. 11% alcohol. Score: around 8.5. Cost: $13. click to buy.
2019 Valdo “Marca Oro” Brut Prosecco Rosé, Veneto, Italy Light peachy-pink in color with medium-fine bubbles, this wine smells of apple skin and raspberries with a somewhat unusual wet-leaves aroma. In the mouth, distinctly savory notes of apple skin, dried apples, raspberries, and white flowers move across the palate on a coarse mousse. I wonder, in fact, if this bottle is not a little light-struck, and might be much better than it is showing at the moment. Decent acidity. 11% alcohol. Score: around 8.5. Cost: $18. click to buy.
2019 La Vostra Extra Dry Prosecco Rosé, Veneto, Italy Pale peachy-pink in color with medium-sized bubbles, this wine smells of sweet berries in cream. In the mouth, a silky mousse delivers faintly sweet strawberry and citrus flavors but without enough acidity to really make the wine sing. Comes off as slightly flat through the finish. 11.5% alcohol. Score: between 8 and 8.5. Cost: $9. click to buy.
2020 La Gioiosa Brut Prosecco Rosé, Veneto, Italy Pale salmon-pink in color with medium to large bubbles, this wine smells of cherries, white flowers, and orange peel. In the mouth, the bubbles dissipate quickly, leaving the wine feeling a bit flat on the palate. Flavors of strawberry and citrus peel have a nice fruitiness to them. 11% alcohol. Score: around 8. Cost: $15.
2019 Perlage Winery “Afra” Extra Dry Prosecco Rosé, Veneto, Italy A pale baby pink in color with medium bubbles, this wine smells of sweet dried orange peel and candied berries. In the mouth, moderately sweet flavors of dried apples, orange peel, and berries have a very candied aspect. Good acidity, but comes across as a bit too saccharine. 11% alcohol. Score: between 7.5 and 8. Cost: $??
Los Buenos Vinos Argentinos, la clásica y reconocida guía realizada por la prestigiosa periodista Elisabeth Checa tiene su edición 2021. En sus 14 años de vida, la publicación refleja las tendencias, evolución y recorrido de la vitivinicultura argentina a través de la mirada entendida de su autora quien cuenta, nuevamente, con la colaboración del reconocido sommelier y comunicador del vino Fabricio Portelli.
“El vino es su circunstancia: algo del placer del momento se filtra en el sabor… y esa etiqueta que hoy tomaste acá no va a ser la misma mañana al mediodía en otro contexto”, es el leitmotive con el que Elisabeth explica que Los Buenos Vinos Argentinos no tiene puntajes, sino que apreciaciones y sugerencias. Es una guía práctica, ágil y amena, una herramienta de compra para orientar la búsqueda del lector y consultar qué vino beber en distintas ocasiones y combinarlo con diferentes comidas. Como novedad para esta edición la guía se presenta también en formato eBook en Google Play.
Para la nueva edición,Elisabeth seleccionó, catando junto a Fabricio, 349 vinos y 45 espumosos entre más de 670 etiquetas de aproximadamente 107 bodegas. “El vino une, hasta en las circunstancias históricas más difíciles”, afirma ‘La’ Checa sobre cómo fue realizar Los Buenos Vinos Argentinos 2021 con las dificultades de un año de Pandemia. A diferencia de otras ediciones, las catas comenzaron a partir del mes de octubre, unos 60 vinos por semana, en la oficinas de la Editorial Vocación. “Fue un trabajo placentero en estos difíciles tiempos de encierros varios. Y, aunque insisto en que es mucho más placentero beber que catar, con Fabri -con quien coincidimos casi siempre- pudimos descubrir y disfrutar de nuevas cosechas, nuevas bodegas, matices y estilos. Creo que todos los vinos argentinos son buenos y cada vez mejores”.
Además, Los Buenos Vinos Argentinos es un trabajo editorial que ofrece a los lectores información instructiva sobre el mundo del vino y las últimas tendencias a través de notas escritas por la autora, colaboradores y referentes de la industria invitados. Las notas que acompañan la edición 2021 son:
Una cuestión de clima, por Fabricio Portelli
El mensaje de las etiquetas, por Diego Migliaro
Vinos cada vez más naturales, por Fabricio Portelli
A los dos lados del charco, por Federico Oldenburg
Criollas seductoras, por Elisabeth Checa
Semillón, una uva con historia, por Santiago Mayorga
Un mágico terruño sanjuanino, por Ing. Gustavo Matocq
De Mendoza al Mundo. Gustavo Flores Bazán: comunicar el vino, por Elisabeth Checa
Uvas argentinas: Malbec, Torrontés y muchísimo más, por Elisabeth Checa
Los Buenos Vinos Argentinos fue galardonada en tres oportunidades en la categoría Best New World Wines Book por Argentina en los Gourmand Wine Books Awards en el rubro Libros de Vinos del Nuevo Mundo,uno de los premios más prestigiosos a nivel internacional que reconocen la producción editorial gastronómica.
La Checha
Elisabeth Checa es periodista especializada en vinos, gastronomía, viajes y buena vida. Estudió la carrera de Filosofía en la UBA. Más de 30 años trabajando en diferentes medios como Cuisine & Vins, Ámbito Financiero, La Nación, Revista C de Crítica, y la revista del Teatro Colón- donde escribe sobre vinos, viajes y gastronomía-. Se ocupa de los contenidos periodísticos -desde su creación en el año 2000- de la página www.elgourmet.com, del canal gourmet.com de amplia difusión regional. Condujo durante 15 años el programa de elgourmet.com “El Club del Buen Beber” y en 2015 participó en un programa en el Canal 13. Ha participado como catadora en concursos de vinos internacionales (Vinandino; Vinitaly; Bacchus, en España). En septiembre 2008 fue premiada en Pamplona, España, en el Concurso Internacional EVA, en la categoría Tendencias, como periodista multimedia de vinos y gastronomía. En 2010 fue condecorada en una ceremonia en Oporto, junto a Miguel Brascó y Fabricio Portelli, como Cavalheiro del Oporto. Recibió el reconocimiento máximo a su trayectoria periodística en la feria Masticar 2015 y otro por la misma razón en las Primeras Jornadas de Comunicación periodística en Córdoba. También una mención especial Día del Gourmet 2016 por la excelencia periodística. Junto a María de Michelis publicó en el año 2o17 “Cartas sobre la mesa”, un libro sobre restaurantes y sus vinos, con contenidos periodísticos. Actualmente escribe una columna sobre sobre vinos y spirits en el site www.soloporgusto.com. Tiene desde hace diez años su programa “Checa en la radio” y organiza “Casa Checa”, encuentros itinerantes de catas donde participan los hacedores de vino más importantes del país y que desde 2020 tiene su versión online.
Fabricio Portelli
Fabricio Portelli es Licenciado en Marketing y apasionado de los vinos. Se recibió de Sommelier profesional en 2000 y desde entonces se dedicó al periodismo especializado. Trabajó en: ArgentineWines, JOY, Elgourmet y El Conocedor. Organizó exposiciones desde 2002 (Vinos de Lujo), y fue jurado en más de 20 Concursos Internacionales como Decanter World Wine Awards. Creó Simposium, dedicada a la difusión del vino: en TV Dos de Copas junto a Miguel Brascó, El Conocedor TV y Lado V por el Canal de la Ciudad y en radio El Conocedor por Radio City. También editó varias guías de vinos: Anuario de los Vinos Argentinos junto a Miguel Brascó y Descorchados junto a Patricio Tapia. Desde 2014 posee su propia web (www.fabricioportelli.com), es colaborador de Revista DiVino, Revista Convivimos e Infobae y columnista en Radio Mitre. En 2017 lanzó Portelli App Video Guía de Vinos. En 2019 se sumó a DELIRIO, el club de vinos de alta gama de Perfil, y desde 2021 integra el staff de Formate Sommeliers, la plataforma líder de cursos online sobre vinos.
Los Buenos Vinos Argentinos es editada por VOCACIÓN; también responsable de la Revista Teatro Colón y de libros como el de Renata Schussheim, Epifanía, ganador del Premio Mejor Libro de Arte 2006, y la última novela publicada de Miguel Brascó El Prisionero. El libro de ilustraciones de Hermenegildo Sabat Abstemios Abstenerse y del mismo maestro Función de Abono, con ilustraciones publicadas en la Revista Teatro Colón.
Los Buenos Vinos Argentinos tiene un total de 272 páginas. Su precio es de $1900 y está disponible en librerías de las principales ciudades del país o a través de www.buscalibre.com.ar . También se encuentra en formato eBook en Google Play Libros, su precio es de $900.
The sound came from just ahead me and to the left. At first I didn’t think it was meant for me, until a shape detached itself from the shadows of the dark alley, and stepped into the penumbra of the streetlight.
“Pssst. Hey buddy,” said the figure, its face still in darkness, “Wanna taste some old vines?”
I stopped short in alarm and quickly looked around me. We were alone.
No one had heard this offer, aimed squarely at a weakness whose existence I had taken pains to bury deep. I prided myself on being discrete, on the veneer of composure that I had constructed to surround my obsessions. But someone who knew me had clearly talked.
With another quick look around me, I stepped into the shadows for what I told myself was one last fix. But even as I did, a part of me knew, like all the times before, this was where I really belonged.
OK, so maybe it didn’t happen quite like that, but when someone from the Lodi Winegrape Commission called up and asked if I wanted to go stand around in some of America’s oldest vineyards and taste the wines they’d produced while the spring weather was still good enough to make it pleasant, what’s a weak-willed wine writer like me gonna do?
The answer, of course is: salivate like hell.
Big Vineyards, Old Vines
For most people, Lodi recalls little but an unfortunate Credence Clearwater Revival lyric. But for serious California wine lovers and those who understand the meaning of viticultural heritage, it’s something of holy ground.
In fact, the Lodi AVA, established in 1986, is America’s single largest wine growing area, covering more than half a million acres, with more than 110,000 of those acres planted to grapes.
Lodi’s ancient vines, like many such vineyards around the world, are an endangered species that will only survive through a combination of proactive conservation and public advocacy by those who understand what they mean to the world of wine.
Of course, size is not everything, especially in the world of wine. But hidden in plain sight within the vast swaths of vineyards are some of the greatest treasures of American viticulture.
Approximately 2000 acres of Lodi vineyards consist of pre-Prohibition, own-rooted vines, some with vines that have been growing in these sandy soils for more than 140 years. Low-yielding and commercially tenuous, this vineyard acreage has been shrinking for years, as old vines are ripped out and replaced by more productive youngsters, or more frequently, by acres of tract homes and shopping centers.
Lodi’s ancient vines, like many such vineyards around the world, are an endangered species that will only survive through a combination of proactive conservation and public advocacy by those who understand what they mean to the world of wine.
You can consider this little tour I’m about to offer you an example of the latter. These vineyards can produce wines unlike any other in the world. The difference in flavor between a 4-year-old, trellis-trained, irrigated Cinsault vine, and a 150-year-old, own-rooted, dry-farmed vine with roots plunging 90 feet down into 20 million years worth of eroded granite sands cannot be overstated.
If we want them to survive, we need to know, to buy, and to drink the wines they produce.
California Wine History Writ Large
It’s not hard to imagine how some of California’s earliest settlers, haggard and exhausted from the trials of crossing the Sierra Nevada Mountains, might arrive a the wide, fertile plains abutting the inner Sacramento-San Joaquin River Delta and decide they needed to go no further.
Indeed, starting in the late 1840s many pioneer immigrants did just that, staking claims to swaths of farmland, draining marshes, and planting all manner of crops, but especially wine grapes. In the years following 1848, when gold was discovered at Sutter’s Mill (a mere 76 miles northwest) Lodi and many towns in California’s Central Valley were transformed almost overnight from small farmsteads to thriving Western townships.
All of a sudden, there were a lot of thirsty people nearby, some of them newly rich, many more wanting to drown their sorrows, and we all know there’s no better way to do that than with wine.
By the 1880s, Lodi was a thriving center for grape growing, even beginning to export grapes by rail to the East Coast. While perhaps a slight oversimplification of a complex agricultural history, it’s not too much of a stretch to say that when it was incorporated as a city in 1906, Lodi owed much of its fortune, not to mention its existence, to grapes.
Those rising fortunes between the mid-1880s and the inception of Prohibition in 1920 resulted in the planting of a number of vineyards that are miraculously still with us today.
These are the vineyards that I journeyed to touch, to see, and most of all, to taste. I did so in the company of Randy Caparoso, to whom I am indebted not only for being my tour guide, but for his incredible wealth of knowledge on the region, provided to me as we toured and sipped, as well as in the form of his forthcoming book, Lodi! The Definitive Guide and History of America’s Largest Winegrowing Region, which will be out later this fall.
The detailed history of each of the vineyards highlighted below is largely summarized from Randy’s admirable scholarship. I am providing only the barest facts about each vineyard below, but know that each has a rich and vibrant set of stories behind it that Randy has meticulously gathered and woven into a narrative to which my summaries do little justice.
Most, but not all, of Lodi’s oldest vines are to be found in its two most southerly sub-regions, the Mokelumne River AVA and the Clements Hills AVA, with the former being truly ground zero for the biggest, gnarliest, oldest vines that still make fantastic wine.
OK. Enough talk. Let’s taste.
Bechthold Vineyard
The Bechthold Vineyard
In 1886, Joseph Spenker planted 25 acres of a grape he knew as “Black Malvosier” but which would turn out to be Cinsault. Today, what remains of those 25 acres is known as the Bechtold Vineyard, and according to Caparoso, is likely the oldest living planting of Cinsault in the world, as well as definitively being the oldest vines in the Lodi appellation. Its fruit is largely purchased by small, artisan producers, who are interested in showcasing what one of the country’s oldest living vineyards can produce. Filled with 6-foot-tall, spur-pruned, gnarled vines like the one pictured above, the vineyard feels like a small forest of writhing monsters frozen in place, some leaning on wooden stakes for support in their old age. It is farmed organically, and boasts sandy loam soils that go down sixty feet or more.
2019 McCay Cellars Rosé of Cinsault, Mokelumne River, Lodi, Central Valley, California Pale peach in color, this wine smells of citrus and berries. In the mouth, bright citrus and berry flavors are silky and slightly crunchy with good acidity. A touch of bright rhubarb and savory river mud linger in the finish. While the Bechthold Vineyard doesn’t appear on the label, that is, indeed, where this fruit comes from. Score: between 8.5 and 9. Cost: $35 click to buy.
2016 McCay Cellars “Bechthold Vineyard” Cinsault, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass, this wine smells of spices and earth. In the mouth, juicy flavors of strawberries, exotic woods, and spices have a light texture from faint tannins. Herbal notes linger in the finish with notes of sour rhubarb and dusty roads. Fermented with native yeast after a 1-week cold soak, aged in neutral wood. Score: between 8.5 and 9. Cost: $40 click to buy.
2019 Fields Family Wines “Bechthold Vineyard” Cinsault, Mokelumne River, Lodi, Central Valley, California Light to medium garnet in the glass, this wine smells of green herbs and spices. In the mouth, primary grape flavors mix with mulberry, herbs, and strawberry rhubarb pie. Fermented with native yeasts and aged in neutral wood. Score: around 8.5. Cost: $26. click to buy.
The Royal Tee Vineyard
Jessie’s Grove – Royal Tee
Many of Spenker’s original plantings and his original homestead can be found within the borders of a relatively intact 320-acre estate referred to as Jessie’s Grove, named for a stand of trees that became eponymous after Jessie Spenker took up the mantle of grape farming following her father’s death in 1916, while steadfastly refusing to rip out the 32-acre grove of oaks that she adored.
In 1889, three years after planting the Bechthold plot, Spenker planted another 5-acre block with mostly Zinfandel (84.5%), Carignan, Flame Tokay, Mission, and Black Prince. This vineyard hosting Lodi’s oldest planting of Zinfandel is now called Royal Tee Vineyard. It features low-slung, head-trained vines and showcases a mix of grapes that would become known as “mixed blacks,” often harvested together and fermented together in what today is more commonly known as a “field blend.”
2017 Alquimista Cellars “Ancient Vines – Jessie’s Grove” Zinfandel, Mokelumne River, Lodi, Central Valley, California Light to medium ruby in color, this wine smells of cherry and strawberry fruits with floral overtones. In the mouth, gorgeous bright strawberry and unripe blackberry fruit flavors mix with black pepper and a touch of dried herbs. Lithe and quite lean for Zinfandel. Excellent. This wine is sourced from a section of the vineyard known as the Royal T. Score: around 9. Cost: $45 click to buy.
2018 Alquimista Cellars “Ancient Vines – Jessie’s Grove” Zinfandel, Mokelumne River, Lodi, Central Valley, California Light to medium garnet in the glass, this wine smells of strawberry and blackberry fruit. In the mouth, excellent acidity makes flavors of strawberry, blackberry, and sour cherry boisterous on the palate. Hints of pepper and dusty earthy linger in the finish with faint tannins. Wonderful. This wine is sourced from a section of the vineyard known as the Royal T. Score: around 9. Cost: $45 click to buy.
1900 Block – Block 4 – Spenker Ranch
Jessie’s Grove – Spenker Ranch “1900 Block 4”
In 1900, Spenker planted another 8-acre vineyard block, this time with Carignan on its own roots. The White Zinfandel boom of the 60s and 70s is largely responsible for the continued existence of so many old-vine Zinfandel vineyards. Other varieties, such as Cinsault or Carignane had no such “protections,” making blocks such as this 1900 all the more precious. The sandy soils here host scraggly grasses underneath the thick trunks of these Carignan vines built like wrestlers.
2018 Precedent Wine “Spenker Ranch” Carignane, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass, this wine smells of mulberries and floral cherries. In the mouth, juicy bright acidity is fantastically bright as a gorgeous stony earthy quality suffuses cherry and red berry notes. Light powdery tannins accompany notes of black pepper and pink peppercorns in the finish. Score: between 9 and 9.5. Cost: $22.
The Wegat Vineyard
Wegat Vineyard
Somewhat “young” by Lodi’s old-vines standards, the Wegat Vineyard was planted in 1958 primarily to Zindfandel. It is part of a homestead that has been farmed by the ancestors of its current owners since 1869. Its spur-pruned, layered vertical cordon vines have a regal reach, casting big patches of shadow on its sandy soils. The rootstock here is St. George, to which were grafted cuttings from the Acampo vineyard, which was the source material for what some consider to be among the best Zinfandel vines in Lodi. Consequently, the Wegat has become one of Lodi’s most distinctive sources for single-vineyard Zinfandel.
2017 Maley Brothers Vineyards “Lodi Native – Wegat Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium to dark garnet in color, this wine smells of gorgeous blackberry and blueberry aromas with hints of floral overtones. In the mouth, juicy blackberry and black cherry fruits mix with floral notes and a hint of bright citrus acidity. Faint tannins and a long finish round out a mouthwatering, juicy package. Score: between 9 and 9.5. $35
The Soucie Vineyard
Soucie Vineyard
The oldest block of the Soucie Vineyard, shown above, dates back to 1916. Own-rooted and 100% dry-farmed, it has been worked by three generations of the Soucie family. Kevin Soucie meticulously cultivates the 105-year-old, head-trained vines, and continues to be amazed at how healthy the vines remain at this age. “There are a lot of newer vineyards planted in the 90s that are petering out now, and need replanting,” he says. “They were just pushed too hard when they were young.” Soucie says he’d never plant a vineyard this way if he was putting in a new one now, but as long as his old vines are still kicking, he’s going to keep giving them the love they need to do their thing in the deep, powdery soils that mark this prized source of Zinfandel. The soils here are soft and velvety as talcum powder, and the archetypally shaped old vines cast striking shadows on the spotlessly turned bare earth.
2018 m2 Wines “Soucie Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass this wine smells of black and blue fruits. In the mouth, notes of blackberry and ginger mix with black pepper and juicy bright acidity. There’s a touch of heat on the finish of this wine, but also some lovely rumbling earth. Aged in 25% new American oak. Score: between 8.5 and 9. Cost: $32 click to buy.
2017 m2 Wines “Cemetery Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass, this wine smells of cherry and strawberry fruit. In the mouth, the wine is rather high-toned, with excellent acidity. Notes of flowers and pepper linger through the finish. Missing some substance in the middle of the palate. Score: around 8.5. Cost: $28 click to buy.
The Mohr-Fry Ranch’s Marian’s Vineyard
Marian’s Vineyard
Planted in 1901 by the Mettler Family (the descendants of whom still make wine in the region), Marian’s is one of Lodi’s most prized sources of Zinfandel. This 8.3-acre plot features a rare set of limestone “lenses” that have kept these 120-year-old vines spry and healthy in their old age, still yielding sometimes up to 4 tons per acre. Widely regarded as having its own unique clone of Zinfandel, the vineyard’s vines and the fruit they produce are distinctly different than other nearby sites, or indeed, even adjoining vineyard blocks.
2019 St. Amant “Mohr-Fry Ranch Old Vine” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass with hints of ruby, this wine smells of blackberries and spice. In the mouth, spicy black pepper, blackberry, and boysenberry flavors are juicy with excellent acidity. Barely perceptible tannins, and a long finish. Score: between 8.5 and 9. Cost: $13. click to buy.
2019 St. Amant “Lodi Native – Marian’s Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass, this wine smells of blackberry and boysenberry. In the mouth, gorgeous silky, fine tannins give structure to flavors of juicy blackberry and black cherry, with a hint of blueberries. A touch of white pepper and dried flowers and herbs lingers in the finish. Great acidity. Good length. Score: around 9. Cost: $35 click to buy.
The Fathom Vineyard
Fathom Vineyard
The oldest segments of this own-rooted Zinfandel vineyard date to the mid-1920s. Some of the trunks of these vines are huge, much thicker than my torso, and the classic, head-trained shape of the vines make for a remarkable variety of beautiful silhouettes. The soils are quite sandy, with something of a packed appearance at the surface between the vines, with the remains of the cover crops scraggly between the rows.
2018 Neyers Vineyards “Vista Notre – Fathom Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass, this wine smells of blackberry and boysenberry fruit. In the mouth, boysenberry fruit is shot through with fine-grained tannins that have a tight muscular quality suggesting a little time in the bottle to relax. Notes of cherry, raspberry and black pepper linger in the finish. Score: between 8.5 and 9. Cost: $22. click to buy.
The Noma Ranch
Noma Ranch
Once a full 15 acres of Zinfandel planted sometime between 1900 and 1910, Noma Ranch is now less than half of its original size, having been parceled off and sold to real estate developers. The site, farmed by Leland Noma, is marked by its unusually stunted vines, some of which almost lay directly on the sandy loam soils. It has been dry-farmed for possibly its entire existence, and its unique clonal selection yields the smallest clusters of berries that many Zinfandel producers have ever seen, rarely topping 1 ton per acre of yield. Painstaking to work, vineyards like this demonstrate what a true labor of love old vines have to be.
2018 Macchia Wines “Outrageous – Noma Ranch” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass, this wine offers heady aromas of blackberry pie. In the mouth, sweetish blackberry fruit has a nice bright acidity which keeps the wine juicy, but there’s a bit too much oak flavor on the palate for my taste. Comes across as somewhat high octane (15.5% alcohol). Score: between 8 and 8.5. Cost: $26. click to buy.
The Rous Vineyard
Rous Vineyard
Planted on St. George rootstock in 1909, this is the second oldest St. George-based vineyard in the region (planted in 1907, the Stacie Vineyard is the oldest such planting). Sitting almost in the center of the deepest, most homogenous alluvial sands in the region, what locals refer to as the “Victor Triangle,” this 10-acre vineyard takes its name from its current owner, Craig Rous. Rous helped Mondavi build the Woodbridge brand back in the 80s and ended up buying the vineyard in 1990 from a fellow coworker at Woodbridge. The vineyard is now Rous’ “retirement project” and justifiably a source of pride and passion, since according to him, farming vineyards like this “barely make any financial sense.” The vineyard’s soils are extremely fine, though perhaps not as powdery as those found farther to the west side of the AVA, and the vines have a mix of silhouettes, some more traditionally head-pruned, others resembling a vertical, spur-pruned approach.
2018 Ironstone Vineyards “109 Reserve Ancient Vines – Rous Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Dark garnet in the glass, this wine smells of blueberry and blackberry with a touch of cedar. Dried flowers, faint tannins, and a sort of nutty character merge with the dark fruit. Good acidity keeps things relatively energetic on the palate. Ages for a year in older oak barrels. Score: around 9. Cost: $30 click to buy.
The Charles Lewis Vineyard
Charles Lewis Vineyard
The squat, muscular vines of the Lewis Vineyard have a distinct presence. These own-rooted, head-trained vines were planted in 1903 in the fine, sandy soils and are sustainably dry-farmed to yield a distinctively red-fruited rendition of Zinfandel made by the LangeTwins Family, who purchases the fruit from the Lewis Family every year.
2014 LangeTwins Family Vineyards & Winery “Centennial – Lewis Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Dark garnet in color, this wine smells of blackberry and raspberry with a hint of soy sauce. In the mouth, wonderfully bright acidity keeps flavors of raspberry and blackberry bright and juicy while muscular tannins exert a somewhat firm grip on the palate. There’s that umami note again on the palate. Comes across as slightly hot with alcohol. Score: around 8.5. Cost: $56. click to buy.
The Lizzie James Vineyard
Lizzie James Vineyard
Planted in 1904 the oldest sections (which make up about 40%) of the Lizzie James Vineyard are Zinfandel grafted onto Black Prince rootstock, which was a vitis vinifera cultivar popular at the end of the 19th Century. A mix of head-trained and vertical spur-pruned vines, these vines dig deep into soils that resemble beach sand, which at one point were dug and measured down to a depth of 95 feet. Some of the older vines were replaced in the 70s but the core of the vineyard remains the 117-year-old vines.
2018 Harney Lane Winery “Lizzy James Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium to dark garnet in the glass, this wine smells of blueberry and blackberry fruit. In the mouth, powerful blueberry and raspberry fruit mix with cherry and cedar notes. Hints of floral aromas emerge on the finish. Broad-shouldered and powerful. Sees around 25% new oak. Score: between 8.5 and 9. Cost: $36. click to buy.
Scottsdale Vineyard
This 2.5 acre block of own-rooted, head-trained, dry-farmed Zinfandel features some of the fluffiest sandy loam soils I saw while in Lodi. Planted in the first decade of the 20th century, the vineyard also includes some replanting from the 1970s. Some of the oldest trunks are thicker than my thigh, and sit squatly close to the ground above the wonderfully voluminous soils. For the last 15 years, the vineyard has been farmed by Harney Lane Winery, whose owner Kyle Lerner refers to the site as the “Blueberry Block” thanks to the blue and red fruit character that its small bunches typically produce.
2018 Harney Lane Winery “Scottsdale Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium garnet in the glass, this wine smells of strawberries and blueberries. In the mouth, the wine is floral and bright, with red fruit flavors and excellent acidity. Nice lift and energy. Score: between 8.5 and 9. Cost: $40. click to buy.
The Kirschenmann Vineyard
Kirschenmann Vineyard (and Neighboring Blocks)
This 19-acre block of own-rooted, (mostly) head-trained (mostly) Zinfandel was planted in 1915 and farmed by Alan Kirschenmann until his death in 2004. It was briefly named the Baumbach Vineyard until it was purchased by Tegan Passalacqua in 2012 and renamed after its longtime caretaker. Sitting in an old oxbow of the Mokelumne river, the vineyard has striations of limestone and grainy quartz that run through its deep, loamy sands and it tends to stay a degree or two cooler than surrounding areas because of the channel of the river. The vineyard features smatterings of Alicante Bouschet, Carignan, Mondeuse Noire and Grand Noir de la Calmett along with the Zinfandel.
Two other historic vineyards sit adjoining Kirschenmann and share its soil profile and aspect. Across a narrow dirt road, lies the Rauser Vineyard, and just behind Kirschenmann, towards the river, lies the Faith Lot 13 Vineyard.
Of the three, the Rauser was planted first, in 1909, and consists primarily of Carignan, interplanted with Alicante Bouschet and a little Zinfandel. The 10-acre Faith Lot 13 Vineyard was originally part of the Kirschenmann vineyard (but was sold separately in 2013) and features own-rooted, head trained, spur-pruned Zinfandel.
2018 Precedent Wine “Kirschenmann Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium ruby in the glass, this wine smells of exotic spices, red berries, and citrus. In the mouth, gorgeously bright cherry, raspberry, and strawberry mix with black tea and a touch of licorice root. Fabulous, fine tannins and amazing acidity, which lends a bright citrus note to the finish. Score: between 9 and 9.5. Cost: $36. click to buy.
2017 Klinker Brick Winery “Rauser Vineyard” Carignan, Mokelumne River, Lodi, Central Valley, California Medium to dark garnet in color, this wine smells of bright cherry and boysenberry fruit. In the mouth, cedar and oak flavors demonstrate a good amount of wood influence on cherry, cola, green herbs, and dusty earth. Powdery tannins. Score: between 8.5 and 9. Cost: $25. click to buy.
2017 McCay Cellars “Faith Lot 13 Vineyard” Zinfandel, Mokelumne River, Lodi, Central Valley, California Medium ruby in the glass, this wine has a gorgeously floral nose of sweet cherry and nutmeg. In the mouth, fantastically bright fruit has a nice cherry and herbal quality with gorgeous acidity. Hints of licorice root and jalapeño spice linger in the finish. Positively electrifying, with remarkably low, 13.8% alcohol. Bravo! Score: around 9.5. Cost: $32. click to buy.
The Süss Vineyard
Süss Vineyard
Planted by C.H. Süss in approximately 1928, this 15-acre vineyard features own-rooted, head trained Zinfandel planted in very powdery soils. The vines here are sturdy and somewhat squat, dwarfed by the metal support stakes that were added here and there over the years. Farming has been done by the Bokisch Family for many years.
2016 Tizona by Bokisch “Süss Vineyard” Zinfandel, Clements Hills, Lodi, Central Valley, California Light to medium ruby in color, this wine smells of strawberry jam and herbs. In the mouth, juicy strawberry, cherry, and mulberry flavors have a bit of heat to them, with notes of candied orange lingering in the finish. Great acidity. 15.2% alcohol. Score: around 8.5. Cost: $32.
Stampede Vineyard
Also the handiwork of C.H. Süss (and partner J.J. Zechmeister), the Stampede Vineyard (so named due to its proximity to the rodeo grounds) was planted between the 1920s and 1940s. It consists of mostly head-trained, own-rooted Zinfandel, but with some Mission, and Mourvedre vines mixed in. Somewhat unusually for the time, the vines were planted in an offset diamond pattern, which you can possibly see in the photograph above, while still maintaining a 10 foot by 10 foot spacing between plants.
2020 Maître de Chai “Buckaroo’s – Stampede Vineyard” Rosé of Zinfandel, Clements Hills, Lodi, Central Valley, California Pale peachy pink in the glass, this wine smells of watermelon and citrus rind. In the mouth, juicy bright watermelon and watermelon rind flavors mix with guava and berry. Excellent acidity adds a nice citrusy brightness. Quite juicy and delicious. 13.2% alcohol. Score: around 9. Cost: $28 click to buy.
2016 Fields Family Wines “Stampede Vineyard” Zinfandel, Clements Hills, Lodi, Central Valley, California Medium ruby in color, this wine smells of cloves and cherries, and cedar. In the mouth, incredibly juicy and bright and spicy flavors of cherry and strawberry and raspberry mix with nutmeg and mulling spices with a touch of heat on the finish but fantastic acidity and length. Aged in neutral Oak. 14.6% alcohol. Score: around 9. Cost: $28. click to buy.
2018 Maître de Chai “Stampede Vineyard” Zinfandel, Clements Hills, Lodi, Central Valley, California Medium ruby in color, this wine smells of cherry and strawberry and wonderful floral aromas. In the mouth, the wine is floral and bright with a stony tightness. Flavors of cherry and herbs, strawberry and dried flowers are clasped in the firm, muscular grip of a fairly serious fist of tannins. There’s some whole cluster fermentation here which no doubt adds to the tannic structure. 12.8% alcohol, lean, and mean. Score: between 8.5 and 9. Cost: $32. click to buy.
The Dogtown Vineyard
Dogtown Vineyard
It’s somewhat hard to believe that the diminutive little vines in Dogtown Vineyard are so old, but they were planted in 1944, and have been managed since 1997 by Turley Vineyards, who have made the Dogtown name famous through their popular single-vineyard bottlings. The tiny vines yield the least fruit per vine of any of Turley’s vineyards, but what they lack in volume they often make up for in acidity. The vineyard is actually on an ancient embankment of the Mokelumne River, and contains a mix of finer, reddish sandy clay loam with volcanic influences as well as the granite sands found in the neighboring Mokelumne River Ava. In a region where many of the vineyards are typically flat, the minor slope of Dogtown and some of the other vineyards in the Clements Hills AVA set it apart from other Lodi sites.
2018 Turley Vineyards “Dogtown Vineyard” Zinfandel, Clements Hills, Lodi, Central Valley, California Medium ruby in color, this wine smells of berries and cedar, and flowers. In the mouth, exceptionally juicy strawberry and blackberry, and cherry flavors have a brightness and juiciness, with some salty-sweet flavor that is wrapped in light muscular tannins. Excellent length and brightness. Score: between 9 and 9.5. Cost: $70. click to buy.
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Well, there you have it, a flavorful tour of the ancients. Go buy some and help keep these treasures alive.
A particularly characterful old trunk in the Royal Tee Vineyard.
